Friday, November 29, 2024

Golingeshwara Temple and Brick Temples of Biccavolu (KakinadaHotel-BhavanarayanaSwamyTemple-ChalukyaKumaramaBhimeshwara-Biccavolu-KakinadaHotel)

Youtube Link: https://youtu.be/yvPebSj1gNA

Location: "X25X+QC5, Bikkavolu, Andhra Pradesh 533343"

References:

https://eastgodavari.ap.gov.in/temples/sri-golingeswara-swami-vari-temple-biccavolu/

https://www.tripoto.com/india/trips/10th-century-temple-biccavolu-5c84bfc3be64c

https://www.visittemples.com/hindu/srigolingeswaraswamytemplebikkavolunearkakinadaandhrapradesh

Bikkavolu is a village in East Godavari district in the state of Andhra Pradesh in India. The village is known for its famous Subrahmanya Swamy Temple. During the reign of the Vengi chalukyas, Biccavolu was known as “Birudanka Rayapuram”.  Located around 30 KMs from Kakinada, 40 KMs from Rajamhundry and 55 KMs from Amalapuram, Biccavolu is known for its Beautiful Stone Temples of Lord Shiva. All the temples were constructed by the Eastern Chalukyas in the 9th and 10th century, the temples are a fine example of the architectural grandeur that was typical of the Dravidian style. A stone sculpture of Ganesha in the village is a masterpiece of Chalukyan craftsmanship.

Sri Golingeshwara Swami Temple is also locally called as Sri Kolingeshwara Kumara Subramaniya Swamy Temple. Initially the Temple's name stood as Sri Golingeshwara Swamy Temple but  gradually Subramaniya Swamy's fame and name spread like wild fire and in recent days many local people call this Temple as Subramaniya Swamy. 

Legend:

 

Culture and History

The name of the village Biccavole is derived from the ruler Turupu Chalakya Vamsam (849-892 AD) and the rulers constructed  number of temples during the period around the Biccavole village. The village is named after the King Gunaga Vijayaditya III. The Golingeshwara Temple is situated in the main Biccavolu town and is around 33 KMs from Kakinada. In the vicinity of the village,  but in the fields stand three temples, and a monolithic Ganesh and within the village another group of three Siva temples still under worship, including Ganesh in the fields.

Main Golingeshwara Temple: The central shrine of Golingeshwara Temple is filled with brilliant iconography all through along with a shivalingam with 33 lines sasanam on the door jambs. The masterpieces of Eastern Chalukyan architecture is visible all throughout the temple. 2 exquisite masterpieces one including Shiva and Parvati in the form known as Alingana Chandra Sekhara Murthy and the other a seated figure of Ganesh are there in the Mukhamandapam.

The complex houses three shrines, all of which are dedicated to various manifestations of Lord Shiva. The linga in the main shrine represents Sri Gopaleswara Swamy and the adjacent room houses an idol of Kumara Swamy. There is a platform in the temple complex where several turtles brought from the nearby pond are being taken care of. There are also Chalukyan-style Shivalingas and Nandi in the courtyard of the temple. Opposite the complex is another temple dedicated to Laxmi Ganapathi. It houses a stone sculpture of Lord Ganesha, a fine example of Chalukyan craftsmanship.

It is interesting to note sculptures of Gautama Buddha at the top of some of the gopurams.
They might be relics of buddhist worship in at the site in the bygone era.

Additional Information: The Temple is East facing with a four tiered Rajagopuram. The Rajagopuram has been coloured in Yellow and opposite to it is a huge car parking area and more than 50 cars could be amply parked. There is a tinned roofing with 8 pillars just before the Rajagopuram. This Temple is said to be very old and now the Temple has been taken over by the Archaeological Survey of India. The Temple is slightly elevated and the Devotees may have to climb 4 steps to reach the premises. There is a pair of Dwara Paalakas at the entrance of the doorsteps. There is a Bali Peedam and a Dwajasthambam before which 3 Nandhi Vaahanam in black Idols and one in the form of a standing Panchaloga Nandhi is found. Close to the Dwajasthambam is a black Idol for Goddess Goumari who is one among the Sapthamathas. Just before entering the Sanctum Sanctorum is a big bronze gong and above the threshold is a rectangular Image of Lord Shiva, Parvathi, Ganapathi and Subramaniya Swamy. On entering the Main Shrine are the Idols of Subramaniya Swamy, Bhadrakali Samedha Veerabadrar, Ganapathi, Rowdhirini Devi, Mahisharasura Mardhini, Maheshwardu, Goddess Parvathi Devi. The Temple is very unique since the entire family of Lord Shiva could be seen in and around the Sanctum Sanctorum reverred as Idols. Shri Golingeshwara Swami who is an incarnation of Lord Shiva is seen in the Sanctum Sanctorum as a Brahmma Sutra Shiva Lingam which means that there is an angled circular line running across the Shiva Lingam which is very rare. Actually the Eastern Chalukyas had built around 108 Shiva Temples which means that they have built a Temple every time they won a war. Of the 108 Temples thus built, only 4 still remains and this Temple is one among the 4 Temples which is still surviving. All other Temples had been destroyed either during Moghul Invasion or due to vagaries of Nature.

On the outer peripherals there are a spate of Naga Devathas Idols smeared with Kumkum and Turmeric and kept beneath a Tree. Other than this there are few other Nandhi Idols and Shiva Lingams in the outer peripherals. There are Sub Shrines for  Raja Rajeswarar and Chandrasekarar who are worshipped as Brahmma Sutra Shiva Lingam. There are two Sthalams for Subramaniya Swamy. One is located in Chennai and known as  Kumarakottam whereas the second Sthalam happens to be here in Bikkavolu. There are several turtles in a nearby pond close to the Temple and a few of them enter into the Temple premises and could be seen moving here and there. The Devotees do no harm to these turtles but take photographs and enjoy to be with them. Pradhosham, Maha Shivarathiri,  Thai Poosam, Kiruthigai are some of the important festivals that are celebrated here annually and during these days the Temple atrracts several Devotees not only from the local Biccavolu but from other far flung areas. 

 

Shiva Temple I (close to field) and Shiva Temple II (inside the field): While we visited both the temples, the first temple we were told is permanently closed for some time, regarding the second we couldn’t find a way through the fields to visit. We could just view the temples from outside and capture them through our lenses.  The first temple Situated on the out skirts of the village with features similar central niches on the three sides with the makara decoration and with figures in them. One of these and a striking one is Siva dancing in the chatura pose in his Nataraja from. One such prominent feature here is the presence of Lakulisa is exactly the same from as occurs in Orissan sculptures it should be remembered that at Mukhalingam even in the Eastern Ganga temple Lasulisa is substituted from Dakshnamurty as this figure is a favourite one. Siva styled shrine (Sivalingam) is the main attraction to the devotees.

The second temple on the field: Large plain temple in fields. In this there is an almost total absence of figure sculpture as even the niches are bare and except for the carving of the dvarapalas on the door-jambs and Lakshmi on the lintel. Still from the point of view of architecture the features are very interesting for a study of Eastern Chalukya temple structure which follows the Dravida type inspired by Southern traditions. The vimana here immediately bring to our mind the Pallava type which has been the main source of inspiration even for the Pattadakal group and the famous Rashtrakuta monument at Ellora.

 

Shiva Temple III (in fields)

The doorway of this temple has a unique feature as it shows the two River Goddesses Ganga and Yamuna on either side. (PI.XVII). On the tiers above there are several figures representing ieconographic forms and motifs like the mithuna which are excellent material for study. The figures of Surya (PI.XXIIa) and Vishnu (PI.XXXVa) are similar to the figures on the tiers of Sri Golingeswara Swamy temple.

Finally, some loose Sculptures of great beauty lying in the courtyard of the main temple Sri Golingeswara Swamy suggest what a wonderful group of Saptamatrika has been lost of which only these few remain, Viz., Kaumari (PI.XXIXb). The figure is a very lovely one. 2) Chamunda, 3) Veerabhadra. The Archaeological Survey of India looking after the temple monuments carefully.

 

Monolithic Ganesh In Fields

 

The height of the Ganesa is 11ft, the biggest in the history of Eastern Chalukyan Sculpture attracting hundreds and thousands of devotees day by day, a tourist spot, with green fields. Till the time of Ganesh Vijaditya the single pair of arms of Ganesh continues though in his time the additional pair is also introduced. But even also on the seal of Gunaga Vijayaditya from Sataluru (PI.VIII) This seal is beautiful work. Two views of the seal of Gunaga Vijayaditya from Sataluru showing similar Ganesa on one side and Lakshmi on the other. The seal is now at Chennai Govt. Museum, Chennai.

 

When we visited Biccavolu, we could see the monolithic Ganesha inside the Laxmi Ganapathy Temple in Biccavolu, so we are a bit confused over which Ganesha it is referring too.

 

Architectural Style

While the golingeshwara Temple is a typical Chalukyan Dravidian style temple with a big compound surrounding the main Garbagriha, and a Gopuram, the field temples resemble more of a Kalinga style of architecture with a Rekha Deul.

Under each cases, the iconography and sculptures on the wall are beautiful.

Parking and Photography:

Golingeshwar Temple:

No issues with photography. Drone should be used from some distance outside the temple.

Parking is a bit of an issue with not much of space in front of the temple, but can be mostly managed.

Brick Temples which are on fields: Currently not approachable. Zoom cameras can be used for photography and Drones can be used

Brick temple barricaded: Its currently closed so only Drone can be used and cameras from outside.s

LakshmiNarayanaDevasthan-GanapathyTemplej: Parking is a big problem. We managed to somehow park outside the temple and go inside. Photography is allowed.

Temple Timings:

Golingeshwara and Laxmi Narayan swamy Temple: 6 AM to 12 Noon and 4.30 PM to 7.30 PM

The field temples have no timings specified

Route and Location:

We were staying at Kakinada and covered this temple along with chalukya Bheema temple and biccavolu temples. Kakinada has lots of hotels to stay. We stayed at Hotel Lotus Park, which is situated at a very good location and very descent too. The route we followed was:

 

https://www.google.com/maps/dir/Hotel+Lotus+Park,+2-18-21+,+PLOT+NO.2,+OPP+SP+OFFICE,+Auditorium+Rd,+Madhav+Nagar,+Jawaharlal+Nehru+Technological+University,+Kakinada,+Andhra+Pradesh+533003/Sri+Bhavannarayana+Swamy+Temple,+2629%2BF8Q,+Sarpavaram,+Kakinada,+Andhra+Pradesh+533005/Sri+Chalukya+Kumararama+Bhimeswara+Swamy+Temple,+Jaggamma+Garipeta,+Samarlakota,+Andhra+Pradesh/Biccavolu,+Andhra+Pradesh/Sri+Chalukya+Kumararama+Bhimeswara+Swamy+Temple,+25RC%2BWF5,+Jaggamma+Garipeta,+Samarlakota,+Andhra+Pradesh+533440/Hotel+Lotus+Park,+Auditorium+Road,+Madhav+Nagar,+Jawaharlal+Nehru+Technological+University,+Kakinada,+Andhra+Pradesh/@17.005114,82.0646876,12z/data=!3m1!4b1!4m38!4m37!1m5!1m1!1s0x3a38286a8fa3c33b:0x869f8657753ade47!2m2!1d82.238344!2d16.9762202!1m5!1m1!1s0x3a3829d4c3a8f739:0xd9436267792aa51a!2m2!1d82.2183615!2d17.0012114!1m5!1m1!1s0x3a3786d57dd084fd:0x96af8024102a7d65!2m2!1d82.1712253!2d17.0422741!1m5!1m1!1s0x3a37855ae90c464f:0x204badeac536a5d3!2m2!1d82.0484013!2d16.9609832!1m5!1m1!1s0x3a3786d57dd084fd:0x96af8024102a7d65!2m2!1d82.1712253!2d17.0422741!1m5!1m1!1s0x3a38286a8fa3c33b:0x869f8657753ade47!2m2!1d82.238344!2d16.9762202!3e0?entry=ttu

 

About Me

Being a travel freak and interested in ancient Bharat, I travel with my family, i love driving and exploring our country. I am deeply interested in exploring our ancient temples because they are the reflection of our real civilization.