Tuesday, May 26, 2026

Temple Complexes in Pathra, Pathra, West Bengal

 Youtube Link: https://youtu.be/UjpO_0WIm9A

Temple Complexes in Pathra, Pathra, West Bengal

References:

https://rangandatta.wordpress.com/2020/07/08/pathra-rebirth-of-the-temple-town/

https://www.kolkataonwheels.com/drive-destination-details/98

https://en.wikipedia.org/wiki/Pathra,_Paschim_Medinipur

 

Pathra is a village and a gram panchayat in the Midnapore Sadar CD block in the Medinipur Sadar subdivision of the Paschim Medinipur district in the state of West Bengal. Pathra is a village of temples with hundreds of small temples. Unfortunately, many of the temples are in bad shape because of lack of preservation, damage by the Kangsabati and vandalizing by the locals. There are 34 temples with "enriched terracotta artwork". Those deserving a special mention are the naba-ratna temple, kachari mahalrasmanchadalan of Kalachand, Durgeswar temple and Pancha Shiva temple.

Most of the temples were built by the Ghosal (later changed to Majumdar) and Banerjee families. Under the Nawabs of Bengal, these families were appointed to hereditary feudatory positions and Bidyananda Ghoshal, who established the Ghoshal-Majumdar line in Pathra, was originally a revenue collector of the Ratnachawk Pargana under Nawab Alivardi Khan.

Baidyananda Ghosal built several temples, which did not please his employer.  Alivardi sentenced him to death and Baidyananda Ghosal was thrown in front of a elephant to be trampled to death. But the elephant refused to crush Bidyananda Ghosal to death and the nawab considering this as a miracle let him free and he continued building more and more temples. The place came to be known as Pathra (Pa = (elephant) feet, uthra = escape). (Bandel Church has a similar story). The Ghosal adopted the title of Majumdar and continued with the temple building spree. The Bandopadhyay family of Pathra also joined the temple building spree, which continued till the end of the 18th century.

Revival of the structures

Initially, with no initiative from the Government or Archeological Survey of India (ASI), it was Yeasin Pathan, who waged a lonesome battle for the preservation. As a young boy, Pathan used to visit this village with his father, who dealt in cattle. He was able to appreciate the architectural importance and beauty of the temples. In mid 1960s, scholars like Tarapada Satra explored the place along with Pathan, who was then in his youth. It was also the starting point of his endeavour to save these temples. Pathan’s hard work and persuasion bore fruits when grants were allocated by the Government. Even IIT Kharagpur decided to render technical assistance following his persistent efforts.

According to Pathan, most of the pakka (concrete) houses in the villages were constructed from the bricks stolen from these temples. The situation became so bad that in late 1970s, most temples were reduced to a pile of stones or sank in the riverbed. He wrote innumerable letters to authorities, including local politicians, IIT Kharagpur and the President of India.

Pathan has received the Kabir Award for preaching communal harmony from the President of India, CID Gallantry Award, 24 Ghanta Ananya Sanman and many more. Pathan decided to organise a Durga Puja for the cause of the temples, things took a turn for the better. “This brought media attention and I began to get support for my work,” he said. Today, 28 out of 34 temples of Pathra are under the supervision of ASI. They have already repaired 18 temples. All these temples have been categorised as ‘monument of national interest’.

The temples of Pathra can be classified into three complex, namely:

1)    Nabratna temples complex

2)    Kalachand temple complex

3)    Rasmancha temple complex.

Apart from these there are isolated temples like Dharmaraj Temple and the Sitala Temple.

Kalachand Temple complex

Kalachand Complex is the most elaborate of the temple complex in Pathra. It lies on the left hand side of the road for visitors arriving from Midnapore town. The Kalachand Temple, a rectangular flat roofed structure with decorative pillars supporting five arched gateways lies next to the road. Behind it lies three aat chal (8 sloped roof) Shiva mandir and a temple built in pancha ratna (five pinnacle) style. Beyond that lies one rectangular roofless laterite structure fronted by a verandah locally known as Durga Mandapa. Next to the Durga Mandap lies the dilapidated Zamindar’s mansion, the staircase of which still exists and provide access to the roof.

Further down the road stands two temples built in aat chala and panch ratna style. The temples of Kalchand complex only have traces of terracotta ornamentation with no intricate details. Apart from these the complex also houses several ruined structures completely covered with vegetation.

Opposite the Kalachand Temple complex stands the Nabaratna Temple Complex, centred round the towering naba ratna (nine pinnacle) temple. This is the only nine pinnacle temple of Pathra and the tallest of all the temples in the town. Entrance is on the eastern side through a triple arched entrance and the front face of the temple is covered with terracotta ornamentation. The complex also houses four flat roof shiva temples and a small but decorative tulsi mancha. The stand alone Dhrmaraj Temple lies on the right hand side of the road and next to the Kansabati River.

 

Rasmancha Complex

A left turn, beyond the Kalachand Temple complex, followed by a winding dirt road, past a small unknown aat chala temple, leads to the Rasmancha Complex. Built by the Bandopadhyay family, it is also known as the Bandopadhyay Temple Complex. The Temple complex of the Bandopadhaya family includes three pancha ratna brick built Siva Temples, octagonal Rashmancha, the Kacharibari and two other minor Siva Temples. The three pancha ratna temples have fine terracotta ornamentation while the rasmancha has its share of stucco ornamentation. The octagonal rasmancha with its nine pinnacle definitely stands out among the rest.

 

Sitala Mandir

Back to the main road and a short distance on the left is the Sitala Mandir. The temple is said to house the family deity of Majumdar (Ghosal) and is popularly known as Burimar Than. Built probably in the first part of the 18th century and follows the deul style of architecture. It is the only deul style temple of Pathra. The saptaratha sikhara of the Temple is topped by a round amalaka and Kalasa. Next to the Sital Mandir is a ruined structure totally covered with vegetation.

Although most of the terracotta panels have been destroyed or defaced, a handful of them have survived. A statue of Vishnu-Lokeswara of 9th century AD, an artifice of great archaeological value, marking clear evidences of a fusion of Hindu and Buddhist tenets, was discovered during excavation of a tank in 1961. Also discovered was a partially damaged astadhatu (eight-metal) twin statue of Radha-Krishna. Besides, two pairs of Radha-Krishna statues were also discovered in a partially damaged condition from the waters of river Kangsabati. 

Amongst the existing relics – there were innumerable earthen terracotta sculptures on the walls of most of the temples, most of which had been either stolen or defaced. Still, a few has survived, such as bird hunting scenes, Siddhi preparing Mahanta, Sree Chaitanya, Lord Balaram, Dusavatar; incarnations of Matsya, Kurma, Nrisingha, Dasharatha, Ram, Buddha, Krishna, Yasoda, Krishnalila, Rama-Hanumana-Sita and love scenes between Krishna and Radha etc. 

 

How to Reach:

By Train: Local and express trains are running from Howrah to Midnapore. Distance from Midnapore to Pathra is 10-15 km. Pathra is easily accessible by car or trekker from Midnapore via Hatikhola. You need to hire some cab from Midnapore station.

·  Auto/Toto: Readily available from Midnapore town near the railway station or central bus stand. The trip usually takes around (30 - 40) minutes.

·  Shared Autos: Available from Amtala bus stop or Khudiram Park in Midnapore.

By Air: Netaji Subhash Bose Terminal is the nearest airport

By Road: Midnapore town is the nearest bus stand. From there either a hired cab or Auto/Toto or shared Auto. While there is a specific Pathra Bus Stop on the Parulia Road, most visitors access the village by hiring local autos/totos (approximately ₹350) round trip) from Midnapore town or by taking shared autos from Amtala bus stop/Khudiram Park in Midnapore.

 

Photography and Parking

There is no restriction is photography. Drone is not allowed in the Mazumdar Family Temple complex, but can be used at the Kachari Bari temple complex.

No dedicated Parking. For the Mazumdar family temple complex, vehicle should be parked on the side of the road (not an issue), while for the Kachari bari temple complex, the car should be parked inside the temple complex in the jungle bushes, again no issues with parking.

 

Stay options

Midnapore town has few stay options (West Midnapore). Otherwise Kharagpur is the nearest place for stay.

 

Famous festivals:

·  Mahashivaratri: A major festival celebrated with great zeal at the Shiva temples within the Pathra complex, including Gangadhar and Jaleshwar temples, attracting pilgrims.

·  Rash Utsav (Raas): Celebrated in the Rashmancha area of the complex.

·  Durga Puja: Held annually in the dedicated Mandap at the site.

·  Chaitra Mela/Gajan: Major celebrations held at the nearby famous Tarakeshwar temple, attracting huge crowds

 

Ma Danteshwari Temple, Bastar

 Youtube Link: https://youtu.be/Tm_UtyfTUlY

Ma Danteshwari Temple, Bastar

Ma Danteshwari Temple in Dantewada, Chhattisgarh, is an ancient, revered 14th-century shrine and one of the 52 Shakti Peethas where Sati's tooth is believed to have fallen. Located at the confluence of the Shankini and Dhankini rivers, it is the Kuldevi (family deity) of the Bastar region, attracting thousands during Navaratri and the Fagun Mela.

The temple built in the 14th century, is situated in Dantewada, a town situated 80 km from Jagdalpur 

It is a major center of Shakti worship. According to legend, the teeth (dant) of Goddess Sati fell here, giving the town its name.

The temple is located at the confluence of the Dankini and Shankini rivers, a spot with immense spiritual significance.

Every year during Dusshera thousands of tribals from surrounding villages and jungles gather here to pay homage to the goddess, when her idol was taken out of that ancient Danteshwari temple and then taken around the city in an elaborate procession, now a popular tourist attraction part of the 'Bastar Dussehra' festival. There also a is tradition of lighting Jyoti Kalashas during Navaratris here.

This temple dates back to the 14th century, built by the rulers of the Kakatiya dynasty, who were fervent worshippers of Goddess Danteshwari. According to various Bastar history books, Prataparudradev was born into the Kakatiya dynasty of Warangal and is mentioned as a cousin of Annamdev. In the 13th century, Prataparudradev became the successor of the Kakatiya dynasty. During the third Mughal attack on Warangal, Prataparudradev was captured and taken to Delhi. Meanwhile, Annamdev marched towards Bastar, where he defeated the Nagvansh and established the Kakatiya dynasty. Initially, King Annamdev made Mandhota the capital, later changing it to Jagdalpur. It is believed that Annamdev had built this temple.

The idol of Danteshwari Mai is chiseled out of black stone. The temple is divided into four parts such as Garbh Griha, Maha Mandap, Mukhya Mandap and Sabha Mandap. Garbha Griha and Maha Mandap were constructed with stone pieces. There is a Garuda Pillar in front of the entrance of the temple. The temple itself is located in a spacious courtyard surrounded by massive walls. The shikhara is adorned with sculptural finery. Danteshwari Temple is the centre of the famous Bastar Dussehra. The devotion of locals, as well as tribals, is intricately linked to the presiding deity of Bastar. Unlike the idol of the goddess in Dantewada which is black in color, this idol is white.

Major Festivals:

 

·         Bastar Dussehra: Famous for its unique 75-day celebration.

·         Navratri: Both Sharad and Chaitra Navratri are celebrated with immense fervor.

·         Fagun Mela: A 10-day celebration in March-April attracting local tribes and deity processions.

 

Tuesday, May 12, 2026

Twin Ganesha Temple, Barsur

Youtube Link:  https://youtu.be/ZZcXdfrujIA                

Location: “Ganesh Temple Barsur, 49MF+MC5, Barsur, Chhattisgarh 494441

References:

https://unexploredbastar.com/archeological-heritage-temple-of-bastar/

https://myadhyatm.com/barsur-twin-ganesha-temple/    

https://hindutemples-india.blogspot.com/2020/03/twin-ganesha-temple-barsur-chattisgarh.html

 

Nearby Battisha Temple, leftwards 1 km away, there are two Ganesha sculptures

The Ganesh Temple has two idols of Lord Ganesha and one Shiva Linga. It is unique to have two idols of Vinayaka side by side in the temple. These idols, made of sand stones, are monolithic. One idol is big and is about 7½ feet high. This idol is considered to be the third largest statue in the world. The other idol is small and is about 5½ feet high. These idols of Ganesha dates back to 11th – 12th century.

The bigger Lord Ganesha idol’s upper right hand is holding Parashu and the lower hand is in Abhaya Mudra. The smaller Ganesha is holding a mace in his upper left hand and a modak in his lower left hand. A mouse is in a moving posture just below the idol.

 

Both the idols are kept in a newly constructed Mandapam. The Mandapam is fenced on all sides by grills for safety. A stone kalash is kept atop a Mandap, constructed from stone pillars and boulders. People call it Amrit Kalash. Close-at-hand a heap of stone blocks indicate the remnants of an ancient temple. Possibly, an ancient temple was situated there.

 

Legend: Twin Ganesha is famous for its historical significance. The city Barsur is named after king Banasur, who was a great devotee of Lord Shiva. It is said that daughters of Banasur, Usha and his minister’s daughter Chitralekha were best friends. They were the devotee of Ganesha. So they asked their fathers to construct a temple for them. They created this twin Ganesha temple of Barsur.

 

Solah Khamba, Barsur

Youtube Link: https://youtu.be/ZZcXdfrujIA

Location: “49PC+VF3 सोलह खम्भा मंदिर, Barsur, Chhattisgarh 494441

References:

https://hindutemples-india.blogspot.com/2020/04/pedamma-gudi-temple-barsur-chattisgarh.html  

 

The Solah Khamba Temple in Barsur, Dantewada district, Chhattisgarh, is a 12th-century ruined Shiva shrine featuring sixteen pillars, a damaged mandapa, and a ruined sanctum. Located behind the Mama-Bhanja Temple, it represents 10th-14th century Chhindak Nagawanshi dynasty architecture in Bastar.

The temple is Situated in the western part of Barsur, accessible via a path from the right of the Mama-Bhanja Temple.Its Named "Solah Khamba" (16 pillars) due to its surviving stone pillars. It was heavily ruined with many parts submerged in mud until being partially excavated and restored in the 2010s.

The shrine is dedicated to Lord Shiva, and a Shivlinga remains in the garbhgriha (sanctum). The doorway lintel contains an image of Gajalakshmi, and surrounding ruins show influences of Ganesha, Shaktism, and Vaishnavism.

Padamma Temple, Barsur

Youtube Link:  https://youtu.be/ZZcXdfrujIA

Location: “Pedamma Mata Mandir Barsur, 49JG+F43, Barsur, Chhattisgarh 494441

References:

https://hindutemples-india.blogspot.com/2020/04/pedamma-gudi-temple-barsur-chattisgarh.html  

 

The Peddamma Temple in Barsur, Chhattisgarh, is an 11th-century Hindu temple dedicated to Goddess Parvati, located in the Dantewada district. It is known for its historical significance and unique tradition where, according to local beliefs and reports, women do not enter the inner sanctum of the shrine

The ancient Danteshwari Gudi of Barsur was called Peddammagudi in the time of the Nagas. In Telugu (the mother of Nagavanshi kings), the elder mother is called Pedamma.

This temple was partially constructed by Annamdev the founder of Chalukya Dynasty in Bastar and established the first kuldevi and later took them to Dantevada.

The temple is completely in ruins and can be reached through a very narrow road. Vehicle can hardly pass through the road between houses. Its an interesting road to take your vehicle though. The sanctum currently has nothing except a small slab. The original idol of Pedamma has been shifted to Dantewada.

The temple is likely from the late 11th century, as there is a mention of a Durga temple in an inscription found here and now relocated to a museum.

Mama Bhanja Temple, Barsur

 

Youtube Link: https://youtu.be/S7cvvtl9pK8

Location: “Mama Bhanja Temple, 8109134645 AWRABHATHA DNT DNT, Barsur, Chhattisgarh 494441

References:

https://en.wikipedia.org/wiki/Mama_Bhanja_Temple

https://myadhyatm.com/%E0%A4%AE%E0%A4%BE%E0%A4%AE%E0%A4%BE-%E0%A4%AD%E0%A4%BE%E0%A4%82%E0%A4%9C%E0%A4%BE-%E0%A4%AE%E0%A4%82%E0%A4%A6%E0%A4%BF%E0%A4%B0-%E0%A4%AC%E0%A4%BE%E0%A4%B0%E0%A4%B8%E0%A5%81%E0%A4%B0/  

 

https://testbook.com/question-answer/the-mama-bhanja-temple-is-located-in-the-historica--69c283dd963f206febeeed82

Mama Bhanja Temple is a temple in Barsur, dedicated to God Shiva. According to a legend, the task to create this temple was given to two people who were related (Mama is maternal uncle and Bhanja is the nephew). Surprisingly, the two men were able to complete in a day and hence the temple was given this name.

According to another legend, there was an empire of the Ganga dynasty king in Barsur. The king’s nephew was an art lover. It started calling a craftsman from Utkal country without telling his maternal uncle Raja and built a grand temple. When the king came to know about this, he got very jealous and tortured by calling his nephew. Bhanja came into charge and killed his maternal uncle. Later he regretted a lot. For repentance, he installed the same statue in this temple by making his head shape. Therefore, this temple was built in memory of maternal uncle. After this, after the death of the nephew, the idol was installed in his memory in the temple. Thus, due to both this idol, it is called Mama-Bhaja Temple. Some scholars call it to be an ancient Shiva temple.

 

Constructed in the 10th century, the temple is one of the finest example of ancient Hindu temple architecture with intricrate carvings and sculptures.

Chandraditya Temple, Barsur

Youtube Link: https://youtu.be/S7cvvtl9pK8

Location: “Chandraditya Temple Barsur Chattisgarh, 49PM+V23, Barsur, Chhattisgarh 494441

References:

https://unexploredbastar.com/historical-city-barsoor/

https://en.wikipedia.org/wiki/Chandratiya_Temple

https://dantewadatourism.infinityfreeapp.com/chandraditya-temple/?i=1

An inscription of Barsur dated shak sanvat. 983 (1068 AD) is in Telugu script, which states Mahamandaleshwar Chandraditya Maharaj, a feudatory chief of Nagavanshiya ruler ‘Dharavarsha’, was the head of Telugu Chodd family and Amma village. He excavated a tank and built this Shiv temple at its centre. He bought a village from Rajadhiraja and donated it to carry out the expenses of temple construction.

Chandraditya Temple, at present, is in medium condition, with its magnificent and alluring architecture.

The Chandratiya Temple is a Hindu temple dedicated to one of the principal Hindu deitiesShiva, also known as Mahadev. The temple is situated near a pond named 'Buddha Talab'. The structure of the temple is built on a high platform. The sanctum or Garbhgriha is built on the platform with a squared pillared mandapa attached from the front side. An idol of Nandi can be found facing towards the sanctum. The exterior wall of the temple contains an image of Brahma and is beautifully incarnated with images of Lord VishnuPrajapati Daksha, Uma - Maheshvavara, erotic sculpture, and few other images of the Hindu Pantheon

 

The temple’s unique name and design reflect the rich cultural heritage of Barsur. Its carvings and design make it a must-visit for history buffs and spiritual seekers.

·         The temple houses an ancient Shiva Lingam, considered highly sacred by devotees.

  • The walls and pillars of the temple are adorned with detailed carvings, showcasing stories from Hindu epics and artistic excellence.
  • The temple is a testament to Barsur’s prominence as a cultural and spiritual center during the Nagvanshi era.

 

 

Battisa Temple, Barsur

 

Youtube Link: https://youtu.be/qdPItBYHMMM

Location: “Shri Battisa Temple, 49MJ+XV7, Barsur, Chhattisgarh 494441

References:

https://unexploredbastar.com/historical-city-barsoor/

https://cgdekho1.blogspot.com/2018/04/battisa-mandir-barsur.html

https://dantewada.nic.in/en/tourist-place/barsur-an-archaeological-treasure/

https://puratattva.in/barsur-the-capital-city-of-the-chhindaka-nagas/

Barsur, earlier known as Barasuru, was the capital city of the Chhindaka-Naga (छिंदक नाग) dynasty that ruled during the tenth-thirteenth century CE.  The dynasty belonged to the Kasyapa gotra and had a crest of a tiger with a cub. Their kings were titled the “lord of Bhogavati”, Bhogavati is one of the seven mythological sub-terraranan cities of the Nagas. The Chhindaka-Nagas supposedly belonged to the same stock as the Sindas of Karnataka, the latter claimed their name to be derived from the river Sindhu (Indus). Chhindaka appears as another derivation for the Sindhu river.

The earliest Chhindaka-Naga inscription is the fragmentary Errakot inscription dated Saka 945 corresponding to 1023 CE and mentions king Nripatibhusana.1 

During his Ganga expedition, the Chola king Rajendra Chola I (971–1044 CE) seized Sakkarakkottam aka Chakrakota aka Chakrakuta or modern Bastar sometime between 1019-20. There are two possibilities here, either the Chhindaka-Nagas were ruling over Barsur when Aditya Chola marched into the region or they came to Baster after Rajendra Chola’s Ganga expedition. The Chhindaka-Nagas owed allegiance to different dynasties at different times during their reign. The names of the Chhindaka-Naga kings such as Dharavarsha and Kanhara suggest that they owned allegiance to the Rashtrakutas while names such as Someshvara suggest that they also owned allegiance to the Western Chalukya king Someshvara I Ahavamalla (1042-1068 CE). Their Telugu inscriptions and legends over coins attest to their southern origins.2 It is suggested that Aditya Chola installed Naga king Dharavarsha as his regent over Barsur. The Nander inscription mentions the general Nagavarma of the Western Chalukya king Someshvara I defeated Kalakuta Dharavarsha sometime after 1047 CE.

Someshvara I (1069-1108 CE) ruled for a good thirty years and he was the most accomplished and successful ruler of the family. Goddess Manikyadevi aka Danteshwari aka Vindhyavasini was the tutelary deity of the Chhindaka-Nagas. When the Chhindaka-Nagas were consolidating their power in Bastar, the Telugu-Chodas followed the Western Chalukya king Vikramaditya VI (1076-1126 CE) during his eastern campaign and settled in Bastar. They belonged to the Kasyapa gotra and claimed descent from the Suryavamshi Chola family of the Karikala house that ruled from Orayuru (Uraiyur).

Barsur is generally called the city of temples and legends claim more than 147 temples in the town with as many tanks and lakes.6 Though we do not have extant temples matching that number, however, this small town still has many extant temples.

Known for its 10th-11th century Chhindak Nagawanshi dynasty ruins, key attractions include the Battisa Temple, massive Ganesh statue, Mama Bhanja Temple, and Chandraditya Temple.

Known as the center of power for Gangawanshi and Nagawanshi rulers, historical records suggest there were once 147 temples and 147 ponds in the area.

Leftwards, on the entrance to Barsur, Battisa Temple can be seen in ruins.  The temple is situated around 24 KMs from Geedam and 75 KMs from Jagdalpur on the Jagdalpur-Bhopalpatnam road. According to the inscriptions, this temple was constructed back in 1030c. by the Queen of Nagavanshiya ruler Someshwar Dev.  Due to the usage of 32 stone pillars in this temple and connecting 2 temples (2 garbhagrihas) with beautifully carved Nandi sitting outside each, it became well-known as Battisa Mandir Gudi. It has a huge mandapa built of stone blocks. The architecture of this 11th-century temple is awe-inspiring. At present, it has been declared as preserved by the state government.

The sanctum has 2-story, square, high-rise, black stone cistern which houses a Shivalinga topped with a rosary.

Sunday, May 10, 2026

Temples of Chandannagar

Youtube Link: https://youtu.be/by8fe5Eljdw

References:

https://kinjalbose.wordpress.com/2019/09/14/rajrajeshwar-temple-north-chandannagar/

https://kinjalbose.com/2021/01/31/nanda-nandan-temple-chandannagar/

https://kinjalbose.com/2018/11/21/nilkantheshwari-temple-gondalpara-chandannagar/

 

Chandannagar, a former French colony in West Bengal, houses several 18th-century terracotta temples, most notably the Rajrajeshwar Temple in North Chandannagar, known for its intricate, well-preserved Navaratna (nine-pinnacled) structure. Other prominent examples include the historical Nandadulal Temple (1740) and the now-dilapidated Buroshibtala Temple, both featuring traditional Bengal architecture.

Rajarajeshwar Mandir

Close to Buroshibtala post office, this beautiful nabaratna or nine pinnacled Rajarajeshwar mandir, a terracotta mandir which was built possibly in the second half of the eighteenth century and has survived the taste of time. Though the temple has undergone restoration work, but still most of the terracotta works are visible and one can witness the exquisite and intricate terracotta panels. This temple has rigged turrets with triple entrance. The temple has doors on eastern and southern sides and this two sides contain terracotta works. The temple is placed on a slightly higher pedastal. Of the triple arched entrance, the middle one is accesible while the other two on both the sides are false. The central ratna is pretty high. Some of the terracotta panels depict stories from The Ramayana and The Mahabharata while others show floral motifs and designs and Rasmandal. The principal deity of the temple is Lord Shiva made of kasti pathar or touch stone. The Shiva Lingam is pretty high.

The temple is situated in a corner of the road. 

Nilkantheswari Mandir, Gondalpara, Chandannagar

A beautiful pancharatna temple at Rabindra Nath Road, Chandannagar built by Late Sibnath Mukhopadhyay and her wife Saratkumari Debi on 10th July, 1913 (26 Ashar, 1320 Bangabda, Sukla Saptami tithi) belong to Devi Nilkantheshwari. The lower part of the temple has got a fresh coat of yellow colour while the ratnas at the top of the temple still bears the original colour. The temple stands on a raised platform and a flight of stairs will lead you to the temple. The stairs also got a fresh coat of paint. Located close to the Ganges, this temple is south facing. The temple is situated within an enclosed courtyard and there are number of rooms on two sides. The temple can be spotted from outside by seeing the ratnas or pinnacles. The temple also houses a Shivalinga named Baneswar. Inside the temple sanctum there is a throne in which Devi Nilkantheshwari is standing. Nilkantheshwari is Goddess Kali made from kasthipathar. The temple took nearly three to four years to complete and an amount of ninety thousand rupees was spent for that. The remaining part of the temple was built by Prakash Chandra Bandopadhyay who is the eldest son of Anadi Nath Bandopadhyay. Prakash Chandra was termed as the temple’s nabarupakar. Anadi Nath Bandopadhyay is the nephew of Sibnath Mukhopadyay (who built the temple on instructions of goddess in his dream).

Nanda Nandan Temple, Chandannagar

Nanda Nandan temple is a do-chala (double sloped roof) temple,  at Durga Charan Rakshit Road built by Indra Narayan Chowdhury in 1739 Nanda Nandan Temple (founded in 1523) was built 23 years after the Bishalakshi Temple

 

The presiding deity of this do-chala temple is Lord Shiva. The temple has a single entrance in the middle with two windows on both the sides. 

About Me

Being a travel freak and interested in ancient Bharat, I travel with my family, i love driving and exploring our country. I am deeply interested in exploring our ancient temples because they are the reflection of our real civilization.