Friday, November 29, 2024

Bhavanarayana Temple, Sarpavaram

Youtube Link: 


Location: " 2629+F8Q, Sarpavaram, Kakinada, Andhra Pradesh 533005"

References: https://www.thehansindia.com/andhra-pradesh/kakinada-ancient-temple-in-sarpavaram-in-pitiable-condition-757129

https://eastgodavari.ap.gov.in/temples/sri-bhavanarayana-swamy-temple-sarpavaram/

One of the 5 Pancha Bhavanarayana Kshetras (others being Ponnur, Bapatla, Bhavaderapalle and pattiseema), the one at Sarpavaram Is situated around 5KMs from Kakinada. As per legend the story of Sarpavaram was narrated in the ‘Brahama Vyvarta Purana”. The narration was done by the Great Saint Agatsya to Saunaka and other saints in Nymisha forest.

The temple is around 500 years old and is dedicated to Lord Vishnu. Inscriptions of Eastern Chalukyan kings, Tamil king Kulottunga and Katyavema Reddy (Reddy kingdom) are present in the temple, predicting the temple to be much older though.

Not much of maintenance being done, the temple pillars are in quite bad condition and needs immediate maintenance. The ancient Vaishnavite temple depicts a perfect and harmonious blend of both Chalukyan and Chola (7th to 12th Century AD) architecture and represents both the northern and southern style of architecture. The Chalukyas used red natural stone and khod for engraving beautiful images on the pillars. Sri Bhavanarayana temple is one of the noted 108 Vaishnava temples.

The temple is noted amongst one of the 108 Vaishnava Temples, and is one of the most beautiful of the 5 Bhavanarayana Temples of Andhra.

Architecture

Mixture of North and South Indian architecture: Typical of Chalukyan dynasty. The rock-cut method of architecture was slowly superseded using red stone masonry. Building of Stambha Mandapa (Navaranga) and Sukhansi* along with Garbhagriha was a unique contribution of Chalukyas.

The main gopura facing east is a solid huge structure, built partly with stone and partly with brick. The entire gopura contains gopika, apsaras and avataras in rows. Inside the temple, every pillar is covered with beautiful and delicately delineated pieces of artistic sculptures, particularly the dwara palakas - Jaya and Vijaya. The officials said that evidences say that this ancient temple was repaired and rebuilt through successive ages by many kings.

Current status

The current status is very bad with cracks visible in gali gopuram and visible cracks in pillars with rain water seeping through slabs, a threat of collapse anytime. The east facing wall of the temple was collapsed. Mukha Mandapa, garbhagruha, galigopuram and other parts of the temple need urgent renovation and restoration.

The temple is a symbol of special history, legends and culture. It needs urgent renovation, but unfortunately as of now, very little is being done.

https://www.thehansindia.com/andhra-pradesh/kakinada-ancient-temple-in-sarpavaram-in-pitiable-condition-757129

Approach and Parking

Very near to Kakinada and easily approachable. Dedicated parking is not available, but parking is not an issue, there is space in front of the temple.

Photography

Its restricted but on request might be allowed. Not really sure on the rules.

Stay

Kakinada is the best place to stay with lots of hotels around and itself a big city.

Nearby places to visit

With Kakinada as the central point to stay, there are lot of places and temples to visit within a radius of 30 KMs

1) “Sri Chalukya Kumararama Bhimeswara Swamy Temple, 25RC+WF5, Jaggamma Garipeta, Samarlakota, Andhra Pradesh 533440”

2) “Nakkula Gudi, X24X+FCG, Bikkavolu, Andhra Pradesh 533342” (Shiva Temple Biccavolu I)

3) “Golingeswara Swami Temple, X25X+QC5, Bikkavolu, Andhra Pradesh 533343”

4) “Bikkavolu, Andhra Pradesh” (Shiva Temple Biccavolu II)

5) “Koringa Wild Life Sanctuary Rd, Andhra Pradesh 533016”

6) “Sri Kukkuteswara Swamy Temple, Uppada - Pithapuram Rd, Kalyanamandapm, Pithapuram, Andhra Pradesh 533450”

7) “Draksharama Manikyambadevi Sametha Bheemeswara swami temple, 3-152 ANDHRA BANK STREET, Chandra St, Draksharamam, Andhra Pradesh 533262”

8) Yanam (Puducherry)

9) Hope Island

Planning should be done accordingly. The routes link is this:

https://www.google.com/maps/dir/Sri+Kukkuteswara+Swamy+Temple/Kakinada,+Andhra+Pradesh/Draksharama+Manikyambadevi+Sametha+Bheemeswara+swami+temple/Koringa+Wild+Life+Sanctuary+Road/Sri+Bhavannarayana+Swamy+Temple/Sri+Chalukya+Kumararama+Bhimeswara+Swamy+Temple/Nakkula+Gudi/Golingeswara+Swami+Temple/Bikkavolu,+Andhra+Pradesh/@16.9497728,81.9825282,11z/data=!3m1!4b1!4m56!4m55!1m5!1m1!1s0x3a382aefdc87ac35:0xbbc0ef1662da1db9!2m2!1d82.2454484!2d17.1066184!1m5!1m1!1s0x3a3827ddaf59b4f7:0x92f8ddb9c89a4803!2m2!1d82.2474648!2d16.9890648!1m5!1m1!1s0x3a378d12c6558be3:0x8d61e2b9749eca81!2m2!1d82.0633432!2d16.7928723!1m5!1m1!1s0x3a38273e7bde6391:0x89720513d5420acb!2m2!1d82.2416082!2d16.8811423!1m5!1m1!1s0x3a3829d4c3a8f739:0xd9436267792aa51a!2m2!1d82.2183612!2d17.0012733!1m5!1m1!1s0x3a3786d57dd084fd:0x96af8024102a7d65!2m2!1d82.1712254!2d17.0422699!1m5!1m1!1s0x3a378579da5e36c1:0x1bec8c02a11172bf!2m2!1d82.0485632!2d16.9561586!1m5!1m1!1s0x3a37854e363eb6bd:0xaa4990d1208ce150!2m2!1d82.048762!2d16.9593923!1m5!1m1!1s0x3a37855ae90c464f:0x204badeac536a5d3!2m2!1d82.043438!2d16.9665505!3e0


Note:

In Hindu temple architecture a sukanasa (Sanskrit: शुकनास, IAST: śukanāsa) or sukanasi is an external ornamented feature over the entrance to the garbhagriha or inner shrine. It sits on the face of the sikhara tower (in South India, the vimana) as a sort of antefix.

Historically, The sukanasa appears to develop from later forms of the large "chaitya arch" on the outside facade of Buddhist chaitya halls. 

Golingeshwara Temple and Brick Temples of Biccavolu (KakinadaHotel-BhavanarayanaSwamyTemple-ChalukyaKumaramaBhimeshwara-Biccavolu-KakinadaHotel)

Youtube Link: https://youtu.be/yvPebSj1gNA

Location: "X25X+QC5, Bikkavolu, Andhra Pradesh 533343"

References:

https://eastgodavari.ap.gov.in/temples/sri-golingeswara-swami-vari-temple-biccavolu/

https://www.tripoto.com/india/trips/10th-century-temple-biccavolu-5c84bfc3be64c

https://www.visittemples.com/hindu/srigolingeswaraswamytemplebikkavolunearkakinadaandhrapradesh

Bikkavolu is a village in East Godavari district in the state of Andhra Pradesh in India. The village is known for its famous Subrahmanya Swamy Temple. During the reign of the Vengi chalukyas, Biccavolu was known as “Birudanka Rayapuram”.  Located around 30 KMs from Kakinada, 40 KMs from Rajamhundry and 55 KMs from Amalapuram, Biccavolu is known for its Beautiful Stone Temples of Lord Shiva. All the temples were constructed by the Eastern Chalukyas in the 9th and 10th century, the temples are a fine example of the architectural grandeur that was typical of the Dravidian style. A stone sculpture of Ganesha in the village is a masterpiece of Chalukyan craftsmanship.

Sri Golingeshwara Swami Temple is also locally called as Sri Kolingeshwara Kumara Subramaniya Swamy Temple. Initially the Temple's name stood as Sri Golingeshwara Swamy Temple but  gradually Subramaniya Swamy's fame and name spread like wild fire and in recent days many local people call this Temple as Subramaniya Swamy. 

Legend:

 

Culture and History

The name of the village Biccavole is derived from the ruler Turupu Chalakya Vamsam (849-892 AD) and the rulers constructed  number of temples during the period around the Biccavole village. The village is named after the King Gunaga Vijayaditya III. The Golingeshwara Temple is situated in the main Biccavolu town and is around 33 KMs from Kakinada. In the vicinity of the village,  but in the fields stand three temples, and a monolithic Ganesh and within the village another group of three Siva temples still under worship, including Ganesh in the fields.

Main Golingeshwara Temple: The central shrine of Golingeshwara Temple is filled with brilliant iconography all through along with a shivalingam with 33 lines sasanam on the door jambs. The masterpieces of Eastern Chalukyan architecture is visible all throughout the temple. 2 exquisite masterpieces one including Shiva and Parvati in the form known as Alingana Chandra Sekhara Murthy and the other a seated figure of Ganesh are there in the Mukhamandapam.

The complex houses three shrines, all of which are dedicated to various manifestations of Lord Shiva. The linga in the main shrine represents Sri Gopaleswara Swamy and the adjacent room houses an idol of Kumara Swamy. There is a platform in the temple complex where several turtles brought from the nearby pond are being taken care of. There are also Chalukyan-style Shivalingas and Nandi in the courtyard of the temple. Opposite the complex is another temple dedicated to Laxmi Ganapathi. It houses a stone sculpture of Lord Ganesha, a fine example of Chalukyan craftsmanship.

It is interesting to note sculptures of Gautama Buddha at the top of some of the gopurams.
They might be relics of buddhist worship in at the site in the bygone era.

Additional Information: The Temple is East facing with a four tiered Rajagopuram. The Rajagopuram has been coloured in Yellow and opposite to it is a huge car parking area and more than 50 cars could be amply parked. There is a tinned roofing with 8 pillars just before the Rajagopuram. This Temple is said to be very old and now the Temple has been taken over by the Archaeological Survey of India. The Temple is slightly elevated and the Devotees may have to climb 4 steps to reach the premises. There is a pair of Dwara Paalakas at the entrance of the doorsteps. There is a Bali Peedam and a Dwajasthambam before which 3 Nandhi Vaahanam in black Idols and one in the form of a standing Panchaloga Nandhi is found. Close to the Dwajasthambam is a black Idol for Goddess Goumari who is one among the Sapthamathas. Just before entering the Sanctum Sanctorum is a big bronze gong and above the threshold is a rectangular Image of Lord Shiva, Parvathi, Ganapathi and Subramaniya Swamy. On entering the Main Shrine are the Idols of Subramaniya Swamy, Bhadrakali Samedha Veerabadrar, Ganapathi, Rowdhirini Devi, Mahisharasura Mardhini, Maheshwardu, Goddess Parvathi Devi. The Temple is very unique since the entire family of Lord Shiva could be seen in and around the Sanctum Sanctorum reverred as Idols. Shri Golingeshwara Swami who is an incarnation of Lord Shiva is seen in the Sanctum Sanctorum as a Brahmma Sutra Shiva Lingam which means that there is an angled circular line running across the Shiva Lingam which is very rare. Actually the Eastern Chalukyas had built around 108 Shiva Temples which means that they have built a Temple every time they won a war. Of the 108 Temples thus built, only 4 still remains and this Temple is one among the 4 Temples which is still surviving. All other Temples had been destroyed either during Moghul Invasion or due to vagaries of Nature.

On the outer peripherals there are a spate of Naga Devathas Idols smeared with Kumkum and Turmeric and kept beneath a Tree. Other than this there are few other Nandhi Idols and Shiva Lingams in the outer peripherals. There are Sub Shrines for  Raja Rajeswarar and Chandrasekarar who are worshipped as Brahmma Sutra Shiva Lingam. There are two Sthalams for Subramaniya Swamy. One is located in Chennai and known as  Kumarakottam whereas the second Sthalam happens to be here in Bikkavolu. There are several turtles in a nearby pond close to the Temple and a few of them enter into the Temple premises and could be seen moving here and there. The Devotees do no harm to these turtles but take photographs and enjoy to be with them. Pradhosham, Maha Shivarathiri,  Thai Poosam, Kiruthigai are some of the important festivals that are celebrated here annually and during these days the Temple atrracts several Devotees not only from the local Biccavolu but from other far flung areas. 

 

Shiva Temple I (close to field) and Shiva Temple II (inside the field): While we visited both the temples, the first temple we were told is permanently closed for some time, regarding the second we couldn’t find a way through the fields to visit. We could just view the temples from outside and capture them through our lenses.  The first temple Situated on the out skirts of the village with features similar central niches on the three sides with the makara decoration and with figures in them. One of these and a striking one is Siva dancing in the chatura pose in his Nataraja from. One such prominent feature here is the presence of Lakulisa is exactly the same from as occurs in Orissan sculptures it should be remembered that at Mukhalingam even in the Eastern Ganga temple Lasulisa is substituted from Dakshnamurty as this figure is a favourite one. Siva styled shrine (Sivalingam) is the main attraction to the devotees.

The second temple on the field: Large plain temple in fields. In this there is an almost total absence of figure sculpture as even the niches are bare and except for the carving of the dvarapalas on the door-jambs and Lakshmi on the lintel. Still from the point of view of architecture the features are very interesting for a study of Eastern Chalukya temple structure which follows the Dravida type inspired by Southern traditions. The vimana here immediately bring to our mind the Pallava type which has been the main source of inspiration even for the Pattadakal group and the famous Rashtrakuta monument at Ellora.

 

Shiva Temple III (in fields)

The doorway of this temple has a unique feature as it shows the two River Goddesses Ganga and Yamuna on either side. (PI.XVII). On the tiers above there are several figures representing ieconographic forms and motifs like the mithuna which are excellent material for study. The figures of Surya (PI.XXIIa) and Vishnu (PI.XXXVa) are similar to the figures on the tiers of Sri Golingeswara Swamy temple.

Finally, some loose Sculptures of great beauty lying in the courtyard of the main temple Sri Golingeswara Swamy suggest what a wonderful group of Saptamatrika has been lost of which only these few remain, Viz., Kaumari (PI.XXIXb). The figure is a very lovely one. 2) Chamunda, 3) Veerabhadra. The Archaeological Survey of India looking after the temple monuments carefully.

 

Monolithic Ganesh In Fields

 

The height of the Ganesa is 11ft, the biggest in the history of Eastern Chalukyan Sculpture attracting hundreds and thousands of devotees day by day, a tourist spot, with green fields. Till the time of Ganesh Vijaditya the single pair of arms of Ganesh continues though in his time the additional pair is also introduced. But even also on the seal of Gunaga Vijayaditya from Sataluru (PI.VIII) This seal is beautiful work. Two views of the seal of Gunaga Vijayaditya from Sataluru showing similar Ganesa on one side and Lakshmi on the other. The seal is now at Chennai Govt. Museum, Chennai.

 

When we visited Biccavolu, we could see the monolithic Ganesha inside the Laxmi Ganapathy Temple in Biccavolu, so we are a bit confused over which Ganesha it is referring too.

 

Architectural Style

While the golingeshwara Temple is a typical Chalukyan Dravidian style temple with a big compound surrounding the main Garbagriha, and a Gopuram, the field temples resemble more of a Kalinga style of architecture with a Rekha Deul.

Under each cases, the iconography and sculptures on the wall are beautiful.

Parking and Photography:

Golingeshwar Temple:

No issues with photography. Drone should be used from some distance outside the temple.

Parking is a bit of an issue with not much of space in front of the temple, but can be mostly managed.

Brick Temples which are on fields: Currently not approachable. Zoom cameras can be used for photography and Drones can be used

Brick temple barricaded: Its currently closed so only Drone can be used and cameras from outside.s

LakshmiNarayanaDevasthan-GanapathyTemplej: Parking is a big problem. We managed to somehow park outside the temple and go inside. Photography is allowed.

Temple Timings:

Golingeshwara and Laxmi Narayan swamy Temple: 6 AM to 12 Noon and 4.30 PM to 7.30 PM

The field temples have no timings specified

Route and Location:

We were staying at Kakinada and covered this temple along with chalukya Bheema temple and biccavolu temples. Kakinada has lots of hotels to stay. We stayed at Hotel Lotus Park, which is situated at a very good location and very descent too. The route we followed was:

 

https://www.google.com/maps/dir/Hotel+Lotus+Park,+2-18-21+,+PLOT+NO.2,+OPP+SP+OFFICE,+Auditorium+Rd,+Madhav+Nagar,+Jawaharlal+Nehru+Technological+University,+Kakinada,+Andhra+Pradesh+533003/Sri+Bhavannarayana+Swamy+Temple,+2629%2BF8Q,+Sarpavaram,+Kakinada,+Andhra+Pradesh+533005/Sri+Chalukya+Kumararama+Bhimeswara+Swamy+Temple,+Jaggamma+Garipeta,+Samarlakota,+Andhra+Pradesh/Biccavolu,+Andhra+Pradesh/Sri+Chalukya+Kumararama+Bhimeswara+Swamy+Temple,+25RC%2BWF5,+Jaggamma+Garipeta,+Samarlakota,+Andhra+Pradesh+533440/Hotel+Lotus+Park,+Auditorium+Road,+Madhav+Nagar,+Jawaharlal+Nehru+Technological+University,+Kakinada,+Andhra+Pradesh/@17.005114,82.0646876,12z/data=!3m1!4b1!4m38!4m37!1m5!1m1!1s0x3a38286a8fa3c33b:0x869f8657753ade47!2m2!1d82.238344!2d16.9762202!1m5!1m1!1s0x3a3829d4c3a8f739:0xd9436267792aa51a!2m2!1d82.2183615!2d17.0012114!1m5!1m1!1s0x3a3786d57dd084fd:0x96af8024102a7d65!2m2!1d82.1712253!2d17.0422741!1m5!1m1!1s0x3a37855ae90c464f:0x204badeac536a5d3!2m2!1d82.0484013!2d16.9609832!1m5!1m1!1s0x3a3786d57dd084fd:0x96af8024102a7d65!2m2!1d82.1712253!2d17.0422741!1m5!1m1!1s0x3a38286a8fa3c33b:0x869f8657753ade47!2m2!1d82.238344!2d16.9762202!3e0?entry=ttu

 

Chalukya-Kumarana-Bhimeshwara Temple, Samalkota

Youtube Link:  https://youtu.be/yvPebSj1gNA


Location: "Sri Chalukya Kumararama Bhimeswara Swamy Temple, 25RC+WF5, Jaggamma Garipeta, Samarlakota, Andhra Pradesh 533440"


Chalukya Kumararama Bhimeswara Temple is one of the five Pancharama Kshetras that are sacred to the Hindu god Shiva, with a 16 ft tall limestone shiva linga and an ekashila Nandi, situated in Samalkota, Kakinda District. Its a 9th century temple with Kakatiya and Chalukya architectures consecrated by Chalukya king Bhima, hence the name Bhimeshwara. It is said that the temple was built as a celebration of Chalukya King Kumara Rama’s victories in more than 300 wars.

The other four temples are

1) Amararama at Amaravati(Dist. Guntur),

2) Draksharama at Draksharama (Dist. East Godavari), 

3) Ksheerarama at Palakollu and 

4) Somarama at Bhimavaram(both in Dist. West Godavari).

Samalkota temple is one of the centrally protected monuments of national importance.

The limestone Linga, installed in the shrine, is 16 feet tall that it rises from the pedestal on the ground floor and enters the second floor by piercing the roof, where the Rudrabhaga is worshipped.

The entire compound has temples of ammavaru, Kalabairava and lord shiva. A beautiful lake is situated at the back of the compound, where one can spend some time. This Shiva temple is unique because of its while limestoe 16 ft tall linga and worship of the linga happens in the second floor.

 Kala Bhairava is also of importance, and Balatripura sundari is the Goddess. Sasanas* between 1147-1494 were scripted into pillars of the temple, which also have lists of gifts given, through the ages, for the temple. Recent excavations in the compound of the temple has yielded many figures dated back 1000 years are now present inside the temple. In Puranas it has been written that it is a Yogakshetram, which means, the person who has the "yogam" ("fated to have" or "opportunity given by god" or "boon") to visit, will visit the temple.

Architecture

A mantapam supported with one hundred pillars is built here along with Eka Shila Nandi (Single Stone Bull) at the temple entrance opposite to Shiva Lingam. Goddess Shri Bala Thripura Sundari is also worshipped in this temple.

Originally Chalukyan, The Kakatiya rulers (in the period 1340-1466CE; Musunuri Nayaks) have added and renovated the temple pillars with very fine sharp finishes. The work of Chalukyas and Kakatiyas is very easily distinguished, by the well-decorated and polished pillars in the temple to the rest of the temple, both new and old. The construction of this temple is so solid that it has not changed much through all the years, when compared to the Draksharaam temple.

Accessibility and Parking

Easily accessible from Kakinada in case with own vehicle. The temple is situated in a big compound, with ample dedicated parking space, cost 30 Rs.

Photography

Restricted. No checking though, if checked by someone you would be asked to take permission from the office. Keep clicking till someone asks you. Don’t shoot deity pics

Note:

Sasana: Śāsana is a Buddhist and Shaivite term for their philosophy and practice. It can be translated as teaching, practice, discipline, doctrine, and "the teaching of the Buddha". Since in Buddhism there is no divine being, Śāsana is considered a more accurate description than "religion" as it avoids the implication of a non-changing divine call from an all-knowing god.

Kotipalli SomeshwaraSwamyTemple

Youtube Link: https://youtu.be/DwnvWp4p6o8

Location: "Kotipalli Someswara Swamy Temple"


References:

https://mountainvalley.in/kotipalli-temple.html

https://en.wikipedia.org/wiki/Kotipalli

Kotipalli: Smallest Shivling of AP while Draksharam largest Shivling of AP. 1000 years old

Kotipalli is an important pilgrimage center located in K Gangavaram mandal of Ramachandram revenue division in Konaseem district of Andhra Pradesh. It is situated at around 22KMs from Yanam, 38 Km from Kakinada, 60 Km from Rajahmundry and 15 Km from Amalapuram Via Ferry/Boat. Kotipalli is also known as Koti Teertham and Someshwara Swamy Temple at Kotipalli (Kumarama) is one of the five well known pancharama shrines dedicated to Shiva in Andhra Pradesh is rich in legend and tradition and is held in great regard.

Kotipalli has been a great seat of Hindu learning and philosophy. One of the Acharya's of Dwaadasaradhyas from the Srouta Saiva Siddhanta philosophy, Kotipalli Viswaaradhya (Kashyapa Gotram) was born to Someswara and Bhavani in 12th century AD at Kotipalli. He authored such great books as Chaturvedasaram, Vrushabhadhipa Satakam and Basavarajeeyam and propagated Saiva Dharmas. He is also stated to have stayed at Pamidimukkala and then in Palkurki village and hence known as Palakurti Viswaradhya.

Kotipalli is one of the three important ferry points for Kotipalli-Mukteswaram and the other two being Bodasakurru-Pasarlapudi and Sakhinetipalli-Narasapuram in the Konaseema region.

 

Legend:

This holy river Gowthami which is very famous for its sacred water was brought by Gowtham Maharshi. If a person takes a bath in these holy waters of Gowthami at Kotipalli they will be purified from all kinds of sins. For time immemorial it has been believed that a ritual bath in the river Godavari at Kotipalli is symbolic of a new beginning in life, a change in direction, of forgiveness of heinous sins committed by repentant souls especially in the month of Kartika, and on Maha Shivaratri.

Here there are three famous idols which have been installed and established by Lord Indra, Lord Chandra and Kashyapa Maharshi. Siddhi Janardhana Swamy along with Sridevi and Bhudevi were established as Kshetra Palaka by Kashyapa Maharshi, Lord Indra in order to wash away his sin installed Koteswara Lingam, which is a Yoga Lingam, along with Sri Rajarajeswari Devi, and Further Lord Chandra established Sri Someswara Lingam (Chaya someshwara), which is a Bhoga Lingam, with Sri Ananpurna Devi to wash away his sin. This Someswara Lingam, which is 5 feet in height, is a crystal Lingam and is said to glow with differing levels of brightness depending on the phase of the moon and is housed in a two storied sanctum, with Annapurna Devi on the 2nd floor. The Chaya someshwara (main shiva linga) lost its glow (chaya).  To regain his former radiance Chandra was told by Vishnu to install Shiva Linga along with Raja Rajeswari and worship them. Just beside the main shrine there is the shrine of Siddhi Janardana Swamy flanked by Sri devi and Bhu Devi on either sides. He is the guardian or Kshetrapalaka of this temple. Siddhi Janardana Swamy was installed by Kasyapa Maharshi at the holy place where Lord Vishnu did penance after sending down Bali to patala (lower world) to save gods. Beautifully carved 8' Nandi Bull and 6' Garukmantha can be seen seated right in front of the DwajaSthambha. This place is graced by both Shiva and Vishnu showing the unity of both these gods. On one side of temple one can see Lord Koteswara, a Shiva Lingam submerged in water (Jala Lingam) - installed by Lord Indra as a penance to the curse given by Gouthama Muni, In the northern mandapa one can see the shrine of Kalabhairava and Nava-graha temple with Mrithyunjaya Lingam and His consort Uma. A little further there is Sankaracharya mandiram with Chandramouleeswara Lingam. It is said that Sri Sankaracharya visited this temple once. This place is named as Kotipalii since the worship done here will give merit equal to that of one crore times done elsewhere.

Culture and History

Lord Shiva is worshipped as Someshwaraswamy and Koteshwaraswamy along with his consort Parvati as Rajarajeshwari Devi. Kotipalli is located on banks of the river Gautami-Godavari, one of the two branches of the river Godavari. Godavari splits into two branches - Vriddha Gautami (Gautami Godavari) and Vasishta Godavari. Again the Gautami branch splits into two branches namely Gautami and Nilarevu. Vengi kings of Eastern Chalukyas, who ruled this region between 7th and 12th centuries C.E. built this temple and the pond called as SomaGundam or Soma Pushkarini during their rule. In the inner sanctum one can see a Chaya Someswara Swamy's Shiva Lingam along with the idol of Annapurna. There is a big water tank in front of the temple which is known as Soma Pushkarini. His Holiness Kanchi Kama Koti Peethadhipathi and his Holiness Shringeri Jagadguru visited this holy kshetram. In the premises of the temple there are 4 Pradakshina Mandapams. In this Mandapams there is a Kalabhairava Swamy temple and Shankaracharya Mandir along with Chandra Mouliswara Lingam, and a Navagraha temple along with Uma Sametha Mrityunjaya Lingam.

 

Every day in the early hours the Abhishekam for the Lord is done with this Koti Theertham water which is brought by Archakas (priests).

Architectural Style

Dravidian style with a main Gopuram at the entrance. The temple is enclosed in a big compound, a typical style of South Indian Dravidian styles.

Festivals

1)      Magha Bahula Chaturdashi also known as Maha shivaratri which is celebrated in the month of Feb/Mar

2)       Sri Swami Vari Kalyanam (Visakha Suddha Ekadashi) celebrated in the May, Navarathri festival (Aswayuja Suddha Padyami to Dwadashi) celebrated in the month of October)

3)      Ksheerabdi Dwadashi Teppotsavam during Kartika Masam also known as the month of November.

4)      Sarannavarathri festival (Aswayuja Suddha Padyami to Dwadasi) (October).

 

 

How to reach Kotipalli

By Air: Rajamundry Airport – 65 km

By Train: Kakinada Town Railway Station – 38 km, Rajahmundry Railway Station – 62.7 km

By Bus: Kakinada – 38 km, Rajahmundry – 60 km, Amalapuram – 15 km, Draksharamam – 10 km, Yanam (Puducherry)-22 KMs

 

Timings to Visit

Everyday 07:00 AM – 12:00 PM and 02:30 PM – 08:00 PM

Photography

No one restricted us, but main garbagriha photography is restricted. Mobile cameras are never restricted

Usage of Drone should be done from a distance outside the temple, may be from other side of the pond

Route and Location:

Kakinada or Yanam are ideal places to stay. No staying options near the temple as such. We were staying in Yanam, so we followed the following route to cover few more locations:

https://www.google.com/maps/dir/P6J2%2BXR6+The+Regency+Hotel,+D.No+9-2-244,+Kanakalapeta,+National+Highway+214,+kankalapeta,+Yanam,+Puducherry+533464/Kotipalli+Someswara+Swamy+Temple,+Kotipalli,+Andhra+Pradesh/Puducherry+Mangrove+forest+tourist+spot,+Yanam,+Puducherry/Sri+veereswara+Swamy+Temple,+Muramalla,+Andhra+Pradesh/The+Regency+Hotel,+kankalapeta,+Yanam,+Puducherry/@16.7050066,82.0818152,12z/data=!3m1!4b1!4m32!4m31!1m5!1m1!1s0x3a37f56fa5fa8001:0x82a3b5724c581f00!2m2!1d82.2020453!2d16.7320433!1m5!1m1!1s0x3a37ed862b1d6b7b:0xcb8417a3b7ba5000!2m2!1d82.0378615!2d16.700085!1m5!1m1!1s0x3a381fd306966de1:0x3291aaa0512a94d!2m2!1d82.2911057!2d16.7150884!1m5!1m1!1s0x3a37f17fcf7dcde5:0xdc042ad8e70a0751!2m2!1d82.1682269!2d16.671389!1m5!1m1!1s0x3a37f56fa5fa8001:0x82a3b5724c581f00!2m2!1d82.2020453!2d16.7320433!3e0?entry=ttu

 

Draksharama Manikyambad Bheemieshwara Temple

Youtube Link: https://youtu.be/DwnvWp4p6o8


Location: "Draksharama Sri Manikyambadevi Sametha Sri Bheemeswara swami temple, 3-152 ANDHRA BANK STREET, Chandra St, Draksharamam, Andhra Pradesh 533262"

References: https://eastgodavari.ap.gov.in/temples/lord-bhimeswara-swami-temple-draksharama/

https://en.wikipedia.org/wiki/Daksharamam

Located at a distance of around 20 KMs from Kakinada, 25 KMs from Amalapuram and 50 KMs from Rajahmhundry, the temple at Draksharama Manikyambad also known as Bheemeshwara temple is amongst one of the major pilgrimage center in Southern India on the east bank of the river Godavari. The name is a derivative of "Daksha aaraama" or the abode of Daksha Prajapati (the father-in-law of Lord Shiva and beloved father of Sati).  The temple is considered to be Dakshina Kasi and is one of the trilingas in the state. 

This place was also referred to as Daksha vaatika by Jagadguru Shankaracharya/ Adi Shankara in maha shakti peetha sloka at "Maanikye Daksha vaatika" which points to "Maanikyamba devi of Draksharama". The place where Daksha performed "Nireeswara yagna" is still visited by pilgrims here.

The town was formerly known as Dhakshatapovana and Dhakshavatika

Draksharamam or Daksharamam (దక్షారామం) is one of the five Pancharama Kshetras (five ancient Hindu temples dedicated to the deity Shiva in Andhra Pradesh) that are sacred to the Hindu god Shiva and also 12th of Ashtadasha Shakthi Peetams. The temple is located in Draksharamam town of Konaseema district in Andhra Pradesh.

Bheemeswara Swami temple is a big temple which was renovated by eastern chalukyas. Temple has a pushkarini called "Sapta godavari". One can visit kashi viswesara temple constructed by vyasa and agasthyeswara swami who was worshiped by sage Agasthya. There are few mantapas available in the temple compound too. You can find four gopurams around the temple and few temples like kala bhairava, veera bhadra and vatuka bhairava temples inside the temple premises.

Legend:

Skanda Purana has extensive details about the history of the sacred Pilgrimage. In pursuance with performing a Yajna (called "Nireeswara yaga" or "Nireeswara yagna"), Daksha Prajapati had been to Kailasa to invite Gods and Goddesses to sanctify his ‘Yajna and accept his hospitality. But when he had been there, Lord Siva was in his Court immersed in his spiritual splendour. But Daksha Prajapathi out of his ego of being the father-in-law of Lord Siva, mistook the Lord’s trance as indifference towards him. So, being put out at the difference of his Son-in-law he came back without inviting the Lord and the Lady to his sacrifice.

Sati in her womanish nature requested Siva to permit her to attend, the sacrifice at her parental home, even uninvited and have the pleasure of the performance and the association of her kith and kin. But Siva explained her the tragic implications that she might have to face at her parental house and let her to at her own wish. But, when she actually stepped into her parental home, none greeted her or even just asked her a mutual exchange of her well-being. Then Sathi was put out with the humiliation she had to face amidst her own blood and then and there, decided to give up her body instead of facing her beloved husband with a fallen face. So, she gave up her body then and there and fell down dead. Siva having come to know of the tragic end, sent his son ‘Veerabhadra’ to boot down the ego of Daksha. Siva in his pangs of separation with Sati came down to her dead body and shoultered the corpse over his shoulders and danced in ‘Pralaya Thandava’.At this juncture, the Lord Vishnu, the presenting, force of Universe, sent his ‘Chakra’ to cut down the body of Sathi and redeem the grief of Lord Siva. The Chakra came and cut the body of Sati into eighteen pieces feel in eighteen parts of this ‘Punyabhoomi’ of ours and came to be known as ‘Ashta Dasa Peethas’ and out of these eighteen Sri Manikyamba of Draksharama is the Twelfth.

This Holy Pilgrimage is one of the rare few, where the God and Goddess are equally important. One is Varanasi in Northern India with Viswanatha and Annapurna. Second is Srisailam in Southern India with Sri Mallikharjuna and Bramaramba and third is Draksharama with Bhimanatha and Manikyamba.

It is believed that the water in the Pushkarini was brought by sapta rishis from seven different rivers to create it. One can find saptarishis in a small mantapa located in sapta godavari pushkarini.

Culture and History

Inscriptions in the temple reveal that it was built between the 9th and 10th centuries CE by the Eastern Chalukyan king, Bhima. The big Mandapam of the temple was built by Ganga Mahadevi ,daughter-In-Law of Eastern Ganga Dynasty king Narasingha Deva I of Odisha.[4] Architecturally and sculpturally, the temple reflects a blend of Chalukyan and Chola styles.[5]

The temple is historically prominent. It was built by Eastern Chalukyas who reigned over this area. It's believed to have been constructed earlier to the Bhimeswaraswamy temple in SamarlaKota that was built between 892 C.E. and 922 C.E.

 

Rituals and Festivals

o    Mahashivaratri and Dasara (Dusshera)

  • Sarrannavarathri Festival from Asviyuja Suddha Padyami to Dwadasi every year (October).
  • Kartheeka Monday Festivals and Jwalathoranam in Karteeka masam every year (November).
  • Sri Swamyvari Birthday on Margasira Suddha Chaturdhasi every year (December).
  • Shasti Festival in the Month of December every year.
  • Sri Swamyvari Kalyanam on Bhisma Ekadasi Day in Magha Masam Every year (February).
  • BMahasivarathri Festival in Maghamasam every year (February-March).

 

Architectural Style

The architectural style represents a Dravidian Chalukyan style of structure with 4 gopurams on 4 side and the main temple enclosed in a big compound.

Photography:

Limited to outside. ASI people are there for providing permissions for photography, can be easily taken for a meagre amount.

Drone usage: Try it from outside and from a sufficient distance.

Parking is not an issue at all and dedicated parking is available outside the temple premises.

 

 

 

 

How To Reach:

Best way to reach is by own vehicle or two-wheeler

By Train: Draksharamam Railway station

By Road: Hire some vehicle or Auto from Kakinada or Yanam

Nearest Major city: Yanam-Puducherry(20 KMs),  Kakinada (38 KMs)

 

 

 

Temple Timings:

Hours

Tuesday

5:30–11:30 am, 3–8 pm

Wednesday

5:30–11:30 am, 3–8 pm

Thursday

5:30–11:30 am, 3–8 pm

Friday

5:30–11:30 am, 3–8 pm

Saturday

5:30–11:30 am, 3–8 pm

Sunday

5:30–11:30 am, 3–8 pm

 

 

 

Route and Location:

We were staying at Kakinada for covering various other places and from there we moved to Yanam covering Draksharamam temple. Here is the route followed:

https://www.google.com/maps/dir/Hotel+Lotus+Park,+2-18-21+,+PLOT+NO.2,+OPP+SP+OFFICE,+Auditorium+Rd,+Madhav+Nagar,+Jawaharlal+Nehru+Technological+University,+Kakinada,+Andhra+Pradesh+533003/Draksharama+Manikyambadevi+Sametha+Bheemeswara+swami+temple,+Chandra+Street,+Draksharamam,+Andhra+Pradesh/The+Regency+Hotel,+kankalapeta,+Yanam,+Puducherry/@16.8527658,81.9855003,11z/data=!3m1!4b1!4m20!4m19!1m5!1m1!1s0x3a38286a8fa3c33b:0x869f8657753ade47!2m2!1d82.238344!2d16.9762202!1m5!1m1!1s0x3a378d12c6558be3:0x8d61e2b9749eca81!2m2!1d82.0633432!2d16.7928723!1m5!1m1!1s0x3a37f56fa5fa8001:0x82a3b5724c581f00!2m2!1d82.2020453!2d16.7320433!3e0?entry=ttu

 

About Me

Being a travel freak and interested in ancient Bharat, I travel with my family, i love driving and exploring our country. I am deeply interested in exploring our ancient temples because they are the reflection of our real civilization.